Elegant and filthy, “maria owaza” features a porcelain-skinned woman in black lace gloves. In “maria owaza” she uses only those gloved fingers, dragging satin over sensitive nipples, then down to part her slick folds. The contrast in “maria owaza” is intoxicating—delicate lace against raw need. She edges herself mercilessly in “maria owaza”, stopping just before climax again and again, tears of frustration glistening. When she finally lets go in “maria owaza”, the orgasm is devastating: body convulsing, elegant composure shattered by desperate screams.